Session musicians for the eventįeature the acclaimed Toronto band, the David Barrett Trio (plus one). Opportunity to participate in a recording session with the legendaryĪlan Parsons in the producer’s chair. Global Music Depot is proud to announce the first Canadian MasterĬlass Training Session with Alan Parsons, at the fabulous Noble StreetĪttendees of this incredible experience will have the rare Order PLATINUM level admission to Master Class. Order GOLD level admission to Master Class The PLATINUM level ticket for $800 you get into the control room with Alan as the magic happens.īoth ticket levels include the $150 value Art & Science of Sound Recording 3 DVD set.
QUIZTONES MAC OS X FREE
This limited seating event isn't free of course, GOLD level admission costs $400 and gets you a seat in the Noble Street lounge with A/V feed of the event.
QUIZTONES MAC OS X PRO
It's a one of a kind studio session with legendary producer Alan Parsons, a team of pro players in one of Toronto's top studios. GlobalMusicDepot is putting on the Alan Parsons' Master Class and Training Session. Studios in downtown Toronto, a very cool event is happening. You don't have to delete the originals of course, but if it sounds good why not just stick with it? For our project this means rendering the virtual drum patterns as audio files, and printing my special reverbs as audio. Sometimes that means using the freeze or render function, or routing the audio internally to a new track. To make this more collab friendly, you have to commit and print these effects as audio files. You will want to use the best or most familiar tools you have available to get the best sounds. It's unlikely that you'll have an identical system and set of tools as your collaborator. We're keeping it simple but you could take this further, odd numbers for you and even version numbers for the partner. Doing a "save as" for the project file avoids confusion as to which is the most recent. "Project 01-4" would be the forth time something was done on the project. Backup is taken care of automatically as all files are now saved in 3 places.įor each turn in the project as it gets passed around gets a new version number. So for this project I just set up an FTP account and use the storage that comes with my website. Because this project is going to be 4-6 songs we'd likely run out of space quickly especially when we get real drums on the songs. It's nice because you don't have to worry about transferring or backup.
Normally I would recommend Dropbox for collaboration, I've used it before and actually ran the projects right from the shared folder. We chose to do these projects in Reaper as this is my main DAW and one Joel has been wanting to learn, and can demo free. Pro Tools, Logic, Cubase, it doesn't really matter which one but it's a big advantage to use the same one. If all collaborators are using the same DAW it makes things much easier. This article will go over some of the things to consider when doing long distance music collaboration. We're both recording and mixing as we go and transferring a lot of files back and forth, taking turns adding parts. There are different considerations than I normally deal with day to day in a studio with musicians coming here. It's going well but it took a little while to get workflow and organization figured out. I recently started a long distance collaboration project with a friend in Australia.
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